It all comes down to your OS, and whether you have to share the files with broadcasters (in which case I would use DNX as a lot of editors use Avid). . . I'm slowly getting really annoyed, that Vegas Pro still doesn't have DNxHR and DNxHD support, most on camera recorders output in ProRes and DNxHR today and Vegas Pro still not having support for it is a disgrace, I don't want to switch away from Vegas Pro, but always needing a second. Conclusion. VBR and many claim that VBR is always better, since it distributes bitrate among frames. Avid推出的一种解码，mfx封装格式。 PC常用。现在用的基本上都是DNxHR，它比DNxHD有更大范围的分辨率支持4K。The first is Prores HQ from the Shogun: This is the XAVC S frame: There is only a slight difference, especially in the green channel. ProRes on the Atomos Ninja V. See full list on blog. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. In fact, in my test, the DNxHD 115 codec also outperformed the ProRes (HQ). DV only works in two formats: 480i59. ProRes 422 LT. 3 OBS version, DNxHD and DNxHR will encode properly. 15. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD MOV is not supported. Let's say my original footage is H264. The artifacts in cineform are smoother, more organic. 264 to something else is probably a good thing. Typically I use the following codecs - h. If its a feature, try to break it up into 20ish minute reels. Those codecs also support many features (RAW, HDR. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. Avid is more for Broadcast quality, which blends interlaced fields and blurs them together, which, in turn gives a more “analog” feel to the green screen and motion (it. 444 + small compression ratio difference. In most cases, ProRes is a better choice than MPEG for. Video Output: RGB+Alpha. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Understanding these codecs and their applications can enhance your. This gives you the most room for correction. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW. more. On top of this alpha channel in DNxHR is uncompressed, where in ProRes it's mathematically lossless compression,. Reply. Jello cam is greatly reduced, exposure latitude and exposure control is much better. 264 to something else is probably a good thing. . DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. However, I wouldn't use it for an intermediate if quality matters. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. If you are shooting H. g. The Video Space Calculator or Video File Size Calculator is a tool that allows you to calculate the amount of space needed for your video. So for example at 1080i59. VincibleAndy • 7 yr. Sat Apr 30, 2022 3:52 pm. No, use cineform, prores or DNxHD, h. For easier editing, formats like ProRes or DNxHD are less processor-intensive compared to highly compressed formats like H. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. If you use the FFmpeg version that came with your latest version of OBS, the encoder will drop frames even though it’s using the correct CPU usage. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. VEGAS Pro. I have left Prores and DNxHD behind as mastering / intermediary codecs. 264 and DNxHD are very differrent compression schemes. That used to certainly be true, but nowadays both codecs work very smoothly on all modern editors (including Premiere Pro and Resolve). v prores_ks -profile:v 0 -vendor ap10 DNxHD. These are the basic settings. 97 fps, 59. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes. This requires to manually change these options, which I guess you cannot do - 4590400 Aug 19, 2022. the UHD 10-bit 422 400Mbps ALL-I mode is likely to be roughly equivalent to UHD Prores 422 which is 471Mbps. Translate. Avid DNx requires free activation via my. DNxHD memiliki beberapa varian: DNxHD 85, DNxHD 120, DNxHD 220, dll. 264 is an intraframe codec meaning your computer has to look at previous and later frames to decipher what to display in source monitor. Typically MXF/MOV files containing DNx or Prores video both use the same linear PCM uncompressed audio format, so with the correct settings you should be able to get identical audio quality out of both options. From what I know, ProRes is a copy of the idea of Avid's DNxHD. Optimized. Description. These offer varying levels of compression that result in different file sizes. There are six types of ProRes codec for you to choose from. ProRes VS DNxHD. DNxHD DNxHD was created by Avid for compressed HD playback and has now been extended to DNxHR (high resolution). ビットレート比較. LB through HQX. Note: Interlaced writing is not supported. What Ed said. Votes. I've been doing a lot of codec testing lately in an attempt to figure out a reliable 10-bit workflow between Fusion, Resolve, Vegas and the various other applications I use. Source is a test file prepared to evaluate quality of DCP systems. Angka belakang menunjukkan transfer rate (DNxHD 220 artinya memiliki transfer rate 220 Mbps). ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. Video Codecs & Compression Guide (Feat. Prores is actually based on DNxHD. DNxHD, DNxHQ의 경우에도 Windows를 위한 무료 코덱팩을 제공하고 있으며, VC-3, VC-5이 두. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。 Showdown. Trade your iPhone in for one that shoots ProRes. FFmpeg를 사용하여 ProRes로 재 인코딩 하는것은 가능하기는 하나 PC에서 매개코덱은 Prores 보다 많은 프로그램들이 지원하는 DNxHD나 오픈소스이기도 한 시네폼을 사용하는것이 낫다. The artifacts in cineform are smoother, more organic. AJRubenstein wrote: The problem occurs with every flavour of DNxHD, in every combination I can think of - even when varying the levels, etc. Below is data taken from Nuke's online documentation on different bit rates you may use: • 1080p/24 350x, 175x, 175, 115, 36 (same at 23. Avid DNx. 5. The previous default was I-Frame Only MPEG. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. The target data rate of ProRes 4444 is approximately 330 Mbps for 4:4:4 sources at 1920 x 1080 and 29. These formats range from extreme compression to minimal compression rates. 42GB): and DNxHR are the codecs. DNxHR was designed to fill the same need. Re: ProRes to DNxHD. A test fi. Most often I shoot ProRes HQ. (A list of possible pixel formats can be invoked by running ffmpeg -pix_fmts. I've personally always wondered if there was actually any difference. Like Apple ProRes, DNxHD was designed to retain as much image quality as possible while also making files easy to edit. ProRes RAW is a great choice whenever you want to do any extensive grading or image manipulation. There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. Other Video Codecs. This codec is very useful as a final deliverable or even if you need to share a project. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. Any format (specially 10bit+) can preserve HDR data, it's just a matter of correct data mapping during export. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. The Apple ProRes 4444 Codec Family, comprising Apple ProRes 4444 and Apple ProRes 4444 XQ, are proprietary, lossy compressed, high quality video intermediate codecs designed to support high-dynamic-range imagery and motion graphics. It is especially useful for PC users and is overall a great codec. The artifacts in Prores and DNxHD are more typical, like DCT ringing. Technically, there's little difference between ProRes and DNx - DNxHD is limited to to 1920x1080 or 1280x720, DNxHR and ProRes don't hav those limitations. • Apple ProRes 4444 • Apple ProRes 4444 XQ • Apple ProRes 422 HQ • Apple ProRes 422 • Apple ProRes 422 LT • Apple ProRes 422 Proxy • Avid DNxHD (1080p and 720p 1920x1080 and 1280x720, 4:4:4:4 and 4:2:2) 36, 115, 120, 145, 175, 185, 220, 220x. A codec is a specific schema for encoding video or audio data. mp3. Hi Rick, Thank you for the reply and the examples. Peter J. So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. Each one has a few quality levels. Therefore, you can absolutely master in the native format of your raw media. mkv -pix_fmt yuv422p10le -c:v prores_ks -profile:v 3 -vendor ap10 -an outputFile. Ninja 2 & Samurai owners need AtomOS 4. ProRes vs H. Most often I shoot ProRes HQ. Just like when shooting in N-Log, this disables any internal recording. Pro Res works better on Mac, DNXHD works better on Windows. However, unfortunately, Youtube doesn't support those formats, so you'll have to use a compressed format. 168 he Avid DNxHR and Apple Prores codec families are designed to meet the needs of modern, streamlined post-production workflows. There are a number of 10-bit video monitors from companies like Sony, Flanders Scientific, Panasonic and many others that support full 10-bit images via a Thunderbolt or PCI connection. Avid DNxHD. See Avid DNxHD Notes for more information. Thank you! Pro Res is a codec, MXF is a container. Official Prores and DNxHD are slightly more noisy compared to Cineform . Old-timers (!!!) might also remember hearing about codecs such as MPEG-2, which is used for DVD/Blu-ray, broadcast, and satellite, or even “film” delivery codecs such as the Apple ProRes 422 family and DNxHD/DNxHR. Basically, I’m in the VFX stage on my short film and my colorist and VFX artist told me that ProRes4444 would be. 264 to something else is probably a good thing. This means, for light to medium grading with just one recompression step, XAVC S is perfectly fine. Short Answer: YES, we still need them and will continue to for a while. Avid DNxHD is a codec developed by Avid, the makers of the popular Avid Media Composer software. I recently g. DNxHR files are available in a range of quality standards for different purposes: DNxHR LB – Low Bandwidth (8-bit 4:2:2) Offline Quality Choose an output folder and convert H264 to DNxHD. The other option that is used with prores is the -pix_fmt option. Adding the original card to a project archive will be among the smaller files compared to ProRes, effects pre-renders, etc. 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). Avid Media Composer’s strength (and what makes it so stable) is that by the time source footage hits the Timeline it is DNxHD (an intermediate CODEC) with none of the nonsense of mixing formats. Reply. YUV 4:4:4 10-bits: -pix_fmt yuv444p10 -c:v dnxhd -profile:v dnxhr_444 dnxhr-yuv444p10. I create Apple ProRes 422 Proxies (all same settings except. Width: 1920. I rendered the animation to the ProRes 422 (HQ), ProRes 422, Avid DNxHD 175, Avid DNxHD 115, and Avid DNxHD 36 codecs. For web-based work, Prores LT/DNxHD LB is more than adequate. . But I just can't wrap my head around why Avid decided to limit the DNxHR codec options for proxy encoding and giving you four flavors of ProRes at the same time. I’d strongly disagree. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. For heavier grades or multiple compression iterations, Prores HQ should be used. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. ProRes 1080 is around 115Mbps. agent42b • 7 yr. The number was dependent on the level (such as Proxy), frame size and frame rate. 1. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. Output a self-contained ProRes file of your longplay screening cut. Therefore, forget 422 and LT for 1080p work, unless you’re in a special case (see below). ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. About ~2dB lower, and it's visible to the naked eye. and Apple ProRes 4444 fully support 4:4:4 image sources, from either RGB or Y’C B C R color spaces. - Is it ok to use a H264 file to edit - or will this impact the final export quality? What about H265? What audio settings would you suggest - Linear PCM or AAC - in this current export file, to then use to. I’ve tried switching colorspaces from 8 to 16 to 32 bit, but I can’t seem to get a consistent black on my outputs. 摘要. H. Depth: Trillions of Colors+. Codec ini adalah codec standar editing di lingkungan Avid Media Composer. for use in post-production that supports video resolution up to 8K. 97 still no joy . Unless you guys are archiving on CD-ROMs or something. Google failed me, and my lunch break is only that long. Upvote Translate. DNxHD also offers flexibility in terms of bit rates and resolutions, allowing editors to choose the right settings for their projects. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. Full list of. Sun Dec 18, 2016 12:46 pm. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. If you are using ProRes HQ, DNX220 is the same thing. Apple ProRes vs. I just use a drive dock, get the plastic drive boxes, and use 500GB or 1TB raw drives. 90. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. Download and info for Video Space Calculator. VincibleAndy • 7 yr. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Votes. Video Codec: Apple ProRes 422 Proxy. The ffmbc/ffmpeg prores version for some reason isn't as bad. 25 the possible DNxHD codecs are: 120, 185, 185X. 3 in place of the FFmpeg from your 20. Being well-versed in video codecs is essential for remote video editors to ensure optimal video quality, compatibility, and efficient file transfer. Avid DNxHD vs. 264 implimentations, they focus on low CPU. Adds file support for HEVC 8-bit 4:2:2 encoding. Since our footage is 8-bit to start. A codec is a specific schema for encoding video or audio data. I will take my equipment outside and do some daylight shots and run the same tests that you did. Thu Mar 30, 2023 6:16 am. The calculator can be used with any type of media, including HD or SD footage, as well as. 7K (Apple ProRes 422 LT). H264 vs DNxHD conversion. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. ProRes is built for editing speed, whereas H. I create Apple ProRes 422 Proxies (all same settings except. mov wrapper, which is going to be different from ProRes and DNxHD, as . As an example, Avid DNxHD or DNxHR is free but has to be activated by the user. This tool is intended to give an indication of the amount of space a given video format will take up on disk. Similar to ProRes, DNxHD comes in different profiles. I knew that at some lower bitrate, H. . 14. . Video Space Calculator. ) OPinguimVoador. If you use ProRes 422, DNX145 is the same (except 422 supports 10 bit). A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. It has a target data rate of 102 Mbps. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. Reply. I recentl. With the 2. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). You might try transcoding your 4K footage to 720p ProRes proxies. As far as I'm aware DNxHR is for greater than HD resolutions, you seem to be working in an HD format so DNxHD might be adequate? I've literally just switched from encoding my H. Neil. ProRes 422 and DNxHD definitely reduced the file size, but still too large. Broadcasters and postproduction facilities generally standardize on mezzanine formats. For each there is a standard and a. mov Where -profile:v – 0 = prores422 PROXY – 1 = prores422 LT – 2 = prores422 – 3 = prores422 HQYeah, I've had cliptoolz for 3 years now and it has helped a bunch. Translate. The DNxHD ("Digital Nonlinear Extensible High Definition") and DNxHR ("Digital Nonlinear Extensible High Resolution") are lossy video codecs that are intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. h. Translate. Nothing wrong with it, just that the computer will have to work harder to decode H264 than if it was cineform/prores/dnxhd. Bit depth does not influence latitude, encoding colorspace does. ProRes 4444's color depth is 12 bit, unlike 10bit DPX. Remember, you'll switch to the main material for finishing. 720x486 (NTSC) 720x576 (PAL) 1280x720 (HD) 1920x1080 (FHD) 2048x1080 (2K Cinema) 2048x1556 (2K Film) 3840x2160 (UHD) 4096x2160 (4K Cinema) 4096x3112 (4K Film) Codec: 8-bit YUV 10-bit YUV 8-bit RGB 10-bit RGB (DPX) 16-bit RGB YouTube H. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. Supported Video Formats and Codecs Mac OS Windows 10 LinuxProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 - DNxHD 115 ProRes HQ - DNxHD 175x ProRes 4444 - DNxHD 440x (444) (although ProRes 444 is actually closer in bandwidth to DNxHD 220) Other variants. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. 264 SDI 4:2:2 10-bit, H. Agreed with Pat on ProRes vs DNxHD - they're very similar. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. . 1, MacOS 12. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. If your on a PC, I would recommend using DNxHD. You can select Apple ProRes when exporting as MOV or MXF OP1a. We tried the update but this issue is a fundemantal. 265, where there are only complete. Common as an editing and. Daniel2 vs ProRes, DNxHD, XAVC, etc. Hey Matt, Premiere Pro can also handle DnxHD Footage wrapped in MXF Container with better performance. ProRes is a compressed format, but one that aims to be “visually lossless”. While ProRes is capable of larger sizes, Avid DNxHD is not. cloud06 Posts: 52 Joined: Mon Feb 22, 2016 3:02 pm. The takeaway: all three are going to be vastly more performant than h264. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 4320p60. 265, where there are only complete. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. CINEMA DNG: 2400x1350 (after. So I decided. 264/H. Hi Rick, Thank you for the reply and the examples. 976 fps with the DNxHD 422 8-bit 145Mbit will actually give you a 115Mbit file. X Facebook Pinterest. Anything else is just an implementation decision, so up to BM. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. Exporting out of one generation (camera originals) of H. Of course, it took 6x longer to encode!Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. ProRes is VBR, so it will save space on easy sources. Peter J. • 5 yr. Render the comp and import the result into AE. Adobe. This requires to manually change these options, which I guess you cannot do - 4590400Aug 19, 2022. ProRes is built for editing speed, whereas H. It has a target data rate of 102 Mbps. 264 in an . After that, you can hit Convert button to process the H264 to DNxHD conversion. Quality: 100. Note that not all of these formats are actually supported with prores). 97 fps. Alpha: Uncompressed. With ProRes the. The previous default was I-Frame Only MPEG. 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. Either way, these AudioSport tools are similar to ffWorks, described earlier in that they are graphic User Interface apps that use the free FFmpeg libraries to do the actual. Lossy compression is great for distributing a. DnxHD is free to decode (play back) and encode (create) on all platforms. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. Video Codec: DNxHR/DNxHD. If your computer has the hardware to decode H. This is normally set to yuv422p10le or something like that, but if you want to use the 4444 prores you would set it to yuva444p10le. Technically, there's little difference between ProRes and DNx - DNxHD is limited to to 1920x1080 or 1280x720, DNxHR and ProRes don't hav those limitations. The "fast" ist the key here: edit codecs store every frame individually. Watch on. Compared to the background and theoretical knowledge, you may. 12K views 3 years ago. Re: transcode vs optimize media UHD H. 264 or an mpeg based codec. Shoot ProRes/DnxHD in "Film" (log) mode (like log mode on most popular cinema cameras) for projects that may benefit from a bit more DR at the "expense" of some additional required work in post. As the camera's internally recorded 10 bit codecs are the visual equal of the lesser (non-raw) ProRes variants. Full list of codecs: * Animation * ARRIRAW * AVCHD LP * AVCHD SP * AVCHD. Prores works better on a Mac. This is a one-time activation for the life of the product. 264, it is hard to judge which one is better as each of them can be used as the best video codec under certain circumstances. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Records in H. Quote. The only way to truly test render times from ProRes to MPEG-2 DVD would be to get some sample ProRes footage and try it. Last edited by Truthler; 21st Dec 2020 at 12:52 . 366 subscribers in the Atomos community. For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. The format in which you are smart rendering determines the option to smart render in these special cases. Community guidelines. When comparing DNxHD vs. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Perform color and effects work on media. 264 High 420 8-bit, H. It's also a lot faster to encode than h. Author; Message; Steve DiMaggio. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Side note: If you wanted to go with DNxHD instead of ProRes, you have similar options, except that DNxHD also offers an 8-bit version for the lower-end codecs. A couple of other tools recommended to transcode MP4 to ProRes in the absence of Wondershare UniConverter are listed below: Final Cut Pro X. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better. DNxHD uses i-frame encoding so every frame is. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. Sat May 12, 2018 9:02 pm. MOV is also a container and can hold a ton of different codecs. File sizes are considerably larger with ProRes or DNxHD but I’ll take a larger video file size that I can easily work with over a. L. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes or DNxHD. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. 264 Original Analysis; Deep Drive: DNxHR and FFmpeg Transcoding. For client delivery or VFX, always ask what they want. Practically, there's some issues with DNx out of Resolve being interpreted in the correct color space in Premiere, but unless you're roundtripping with Premiere, that's not really a concern. Yes, ProRes 422 is vastly better than any H. The target data rate of ProRes 4444 is approximately 330 Mbps for 4:4:4 sources at 1920 x 1080 and 29.